Saturday July 16, 2011 MOVING DAY!

Stuff is percolating along at Purple Barn Studios. After way too many red-tape delays from the local zoning and planning boards, I finally got the castle keys and I’m moving in today! I have lots to do and organize before I can think about resuming sculpting, journaling, and painting.


My first goal is to prepare for my first official Open Studio night on Aug.10, 5pm – 9pm. Call or email me to reserve your space ($6). I’ll be sculpting more Whinestoppers for my show that evening, but others can bring any current project that they’re working on. They can also bring their dinner and pop it in the Mic! I can assure there will be lots-o-fun and laughs!

The first workshop is Introduction to Sculptural Needle Felting with Pittsburgh doll artist Joyce Compton. Joyce recently won an award for her entry “Wild Hare” at the Artistic Figures in Cloth (AFIC) 2011 show in Columbus, Ohio. Along with teaching her felting talents, Joyce will be sharing her wonderful creations! The workshop is Saturday & Sunday, September 17 & 18, 2011 from 10 am to 5 pm. (Workshop $65, Kit Fee $15). Call me to register and let me know if you need Sat. night accommodations). This felting skill is new to me (after I stated very emphatically that “I don’t have time to learn one more skill!!”) but I can hardly wait to do it again cause it’s mucho fun!

Back to my packing, unpacking, hauling, putting away, and hanging (curtains, not me ;-P). Wish me luck! And stay-tuned for pics!

Syd

I’m Cutting Up My Art Journals!

I know this sounds radical and this statement may have caused you to suck in a little gasp—but really; it is not a bad thing. The continual quest to have fresh collage materials has forced this violent scissor attack on my art journals. This material pursuit in addition the yearning for my painting roots of yore has been growing stronger—and that is what started the whole dismemberment.

Lusting after many art mediums and working in my art journals brings me much joy. Some of the final journal pages go on to live as greeting cards that I send to my small, yet wonderful subculture of card sender’s network (more on this later). Other pages just live quietly inside one of my journals—those are the ones in which I write about my innermost private thoughts and dreams; or maybe messily sort out something with quick jots. They will exist there for me until my family finds them after my departure to the great art studio in the sky—unless of course, they go with me (my journals that is, not my family – ha-ha). The pages that I choose worthy enough, p

roudly and fearlessly undergo surgery to live as collage material on a mixed media painting, not unlike an organ donor—except the donor stays intact! My process starts with what I wish to illustrate, then I pick the color palette du jour.

I have my journal pages scanned into my PC so I can “leaf” through the files and print four copies of each lucky, qualified page for my chosen palette. Working on four substrates at once as a series helps me to work quickly without overthinking. If a piece does not work on one canvas, it will work on another.

I prepare the canvas with thick Gesso to add texture (did I mention that I love Gesso?). After that dries, I use acrylics to abstract a background. Using my surgical instruments (known as scissors to the commoners, or non-artsy folk), I start dissecting the pages for the collage layer.

I use polymer medium for gluing, being careful to envelope the entire paper in polymer medium to retain the non-acidic, archival nature of the acrylic. Shown here is a work in progress—stay-tuned for the finale!

My Comfortable Chair

Almost every morning for a few weeks now, one of my favorite sounds blissfully awakens me—the tweeting and chirping of the neighborhood birdies that start singing before dawn. The cozy sound that makes me smile before my eyes open. Then glancing at the clock and rolling over to doze for a few minutes longer, my mind is active enough to force me up to start another busy artful day—my chosen path for the remainder of my time here (that will never be long enough).


Last week when visiting with my 94-year-old mother in the nursing home, she asked me what my ambition was. I thought it was a rather odd question at the time, one that you ask a teenager, not a mature woman contemplating retirement. However, since Mom cannot always distinguish the “now” from the “then” anymore, I simply answered her question. I was succinct and I did not hesitate, “to create art every day,” I told her. I looked at her as she sat in her wheelchair and asked her the same question. She replied, also without hesitation, “To sit in a comfortable chair”. That simple. Both of our answers were essentially identical. We both have the same ambition—we both want to feel comfortable. And it’s not always that easy, or that simple.

Macular Degeneration took Mom’s eyesight, and she suffered a broken hip from a fall last year that still causes her pain. She needs help getting dressed and out of bed into a wheelchair. It’s a daily struggle for her. I am on the opposite end of the spectrum.

I have both physical and mental health, along with healthy goals (maybe too many). Yet, I too, struggle with the ambition of my artful day. Life gets in the way—even though it’s what I want the most. Distractions and obstacles are many—in the form of full-time employment, household chores, stress, the list is endless. “Not enough hours in a day” is my mantra. Yet, somehow, I manage to make every day an “artful” one, even if it’s a quick sketch in my art journal. J.L. Spalding’s said, “We always make time to do the things we love”. How true that is. If we don’t make time for art, we’re only cheating ourselves. Making art isn’t an option, it’s a necessity—my ambition. It’s my comfortable chair.

Call for Artists!

Purple Barn Studios in Pittsburgh is accepting artist workshop proposals for one and two-day workshops (Oct 2011 – Nov 2013) in polymer clay, fiber arts, book arts, painting, collage, journaling, mixed media, or other art mediums.

Purple Barn Studios is moving into a quaint two-story house in the south hills of Pittsburgh at 717 Millers Run Rd. It is the teaching/working studio of mixed media artist, Sydney Wellman. The gallery, studio/workshop, kitchen, and powder room are on the first floor; upstairs are three bedrooms and bath w/shower - perfect lodging for female students who need overnight accommodations. (Additional accommodations just 3 min. away). Instructors stay on-site in a private room.
The entire studio is air-conditioned and non-smoking.

General workshop structure:

Workshops generally occur on weekends
Time: 9am to 5pm (w/lunch break)
Material Fees: Additional fees are due on the first day of the workshop, payable directly to the instructor
Workshop Size: The studio area can seat 10 students, and each will have their own table. The number of students depends on the type of workshop and the instructor’s preferences.

Workshops are for adults only

Please submit a teaching proposal to purplebarnstudios@gmail.com and include:

Your contact information (website, blog, email, home or cell number)

Workshop proposals – name, description, medium, 1 or 2-day workshop

• Photos of projects for each workshop (jpg files)

• Workshop fees

• Materials list (and kit fee if you are supplying one) *Please include all materials that students need—do not list any materials that you will provide for students to use at no charge

• Preferences for minimum/maximum number of students in each workshop

• How you promote your workshops

• Anything else that you think is necessary

I sincerely hope you will become part of the extended family of Purple Barn Studios instructors! I will review and respond to all proposals by the end of July 2011(unless you state an urgent need).

Thanks! Syd

PS: Have a "preliminary peek" at my shiny new website! 

Purple Barn Studios is moving to a real studio!



On June 1, I am moving my studio to 717 Millers Run Rd. McDonald, PA! Into a cute little house that is just five minutes from my home. The studio has a gallery in front and workshop/studio space in the back with room for 10 students (each with their own table) with plenty of level parking. Upstairs are three bedrooms to accommodate five students for multiple day workshops. I'll be teaching and will also sponsor other nationally known instructors. My website is still under construction, but I'll keep you updated so stay tuned!

Paste Paper Apps! Well, there IS an app for everything!

Paste Papers Part 3

Enough with the Elmer’s Art Paste. Cornstarch is now the paste du jour. It was easy to mix on the stove, and I let it cool while I changed out of my jammies. Straining out the lumps is key. Unless you like lumps. They can be brushed out on the paper, but a real pain. Or if there’s a handy blender or food processor, that does the trick, also. I used my treasured Golden Liquid Acrylics for this and it thinned the paste out some without affecting the drying time. A kitchen whisk works best for mixing in the paint. (I don’t use it in the kitchen, there had to be a use for it!) The cornstarch is a much stiffer paste that holds the designs better. But, it dries faster so you have to work faster! Working intuitively is always better, anyways. The cornstarch paste paste only lasts a couple of days out of the refrigerator. It grows penicillin quickly! But hey, mold may had to the aesthetics, don’t you think?

Mixed the paste with Perfect Pearls powders and it created grand luminescent designs. The photos don’t do them justice. The best papers are the ones with multiple layered designs. Of course like anything else, the more you put into it ….

Paste Papers Part 2

Continuing my experiments, I added Clear Gesso to some mixed paste colors as a thickener. This made a difference in the design on the watercolor paper—the designs held together better with more definition. I also coated some paper with gesso, using white, gold and black. The gold and black are stunning!

I feel like a mad scientist in the labORatory…Muahhhahaha…mixing more and more concoctions of paint and paste, adding Pearl Ex to others! Papers flying! Accckkkk! I need to expand my studio! I need a bigger table!

I’m mainly using a credit card and an Afro comb (dating myself?) a.k.a hair pick to make designs. I also like the look of the pulled papers (placing one on the other and pulling it off). I’m starting to use the dried papers to layer on more designs in another color. Fantastico! (Oops, sorry I just slipped into my Italian language mode for a second....my words are limited to the aforementioned, Mama Mia, and Bella). I am also using stencils, rubber stamps, toothbrush (not my daily one, mind you, I have purple hair, I don’t need matching purple teeth). In part 3, I will tell you about a different paste, and different papers. Help me, I can’t stop! Mama Mia.

Paste Papers Part 1

Over the last few weeks, I am continuing my experiments with paste papers. I love seeing the results of different combinations of paste, paper, paint, and inclusions. In fact, I am having a difficult time stopping this mad fun! I have papers drying all over the studio and now spilling out into the other room where I have laid down plastic to protect the carpeting. I hope.

The first day I used assorted sheets of unknown paper that I had lying around from the year I was born (don’t ask). I used Elmer’s Art Paste mixed according to directions (1pkg. + 4 qt. water). This is a new product to me and I used it because it keeps unrefrigerated indefinitely. That is a huge time saver. It’s methylcellulose - like wallpaper paste, but without the pesticide—hence, no gloves are needed. The consistency was a little runny, slimy even, but it mixed easily with paint. I used some old tubes of acrylics that were just hanging out waiting for me—also from the beginning of time. The Liquitex worked well, but the Chroma Atelier Acrylic (now called Interactive) did not. There must be enough pigment in the paint for it to work well. Golden is almost always my acrylic of choice, but I didn’t want to use my charmed liquids just yet. As for the paper, the designs held the best on Canson Mi Teines, Mohawk Super Fine text, and 140lb. watercolor paper. Bristol brushes worked better than foam brushes because they added another layer to the initial design coating. All supplies can be purchased from Dick Blick. Stay tuned for Part 2.

Paste Papers!

Here's what I'm working on in the studio. Great mess, but great fun!